Shadow Gallery – Stiletto In The Sand

Shadow Gallery - Stiletto In The Sand

Perle Dimenticabili tira fuori pezzi deprecabili e assurdi, trovati conservati, per strani motivi, nel mio personale etere.

Vediamo oggi cosa esce fuori... 🙂

Shadow Gallery - Stiletto In The Sand

La mente umana è strana forte, stamattina mi sono svegliato con queste due parole..."stiletto" e "sand" e cercavo di ricordare cosa fossero... cercavo di collegare le parole e mi suonava con più logica la parola Stele rispetto a Stiletto, ma in breve tempo mi sono ri-convinto che era giusta proprio quest'ultima.
Insomma breve ricerca su mamma gugol ed ecco "Stiletto In The Sand", una strumentale di fine anni 90, sicuramente scaricata con i vari WinMx o Napster dell'epoca.
Il perchè? Questo lo ignoro totalmente...


Tyranny è il terzo album della band progressive metal Shadow Gallery, pubblicato nel 1998. L'album Room V continua la storia iniziata con questo album.

Stiletto in the Sand

The opening track Stiletto in the sand is an instrumental, presumably referring to the conflict in the Middle East that the protagonist is indirectly involved in.

War for Sale

The story opens with a Man, who explains that he formerly worked for the U.S. government, designing weapons of mass destruction for ongoing conflicts in the Middle East (specifically Iran, as referenced in the lyrics). He becomes aware of the loss of innocent people's lives because of his work, and questions himself and feels guilt. The Man condemns this vast operation of "war for sale" and confronts his corporate leaders.

Out of Nowhere

Immediately, the Man is fired from his job - his corporate leaders "slammed the door behind" - and he becomes disillusioned and isolates himself from the rest of the world, afraid everything he suspects about the government is true. Soon he discovers the Internet, and with it discovers people "living" in the Internet; though this brings him temporary solace, it disturbs the Man to know that this is the only human contact he will have for many days to come.


In a chatroom, the Man meets a person (we don't know their gender yet), with whom the Man talks and both argue about the system. Also, the Man mentions that, as he worked on the corporation, is able to hack their computers. He is mesmerized by the "mystery" of how the Internet works, and notes that dawn approaches, meaning that he stayed all night on the computer.

Hope for Us?

The Man's perception of the so far perfect world starts to shatter when he slowly begins to realize how the corporate controlled media affects the lives of everyone. He wonders if there is a place where all can be free, not being controlled anymore. As this day is far away, he gives himself strength to make his way through days to come.


When walking across downtown New York (revealing the story's initial location), he witnesses a man being robbed and beaten in an alley. He rushes to help, but is also knocked out and left unconscious. He wakes up in a basement in the care of some sort of a poor humanitarian service. Once again he questions this life, and how humanity's violence has left everyone "victims". He pleads to the Savior, wondering when he will come to save the victims of the world.


The Man feels lonely and broken, still overwhelmed by his former blindness concerning the world. He could be a hero, but he was blind. Not knowing what to do, he stares into the computer screen.

I Believe

The Man makes reference to Jesus at the beginning of the song, pointing that Jesus prophesied a better world. Soon he remembers his father's words (portrayed by James LaBrie) and realizes that there's always a chance for change. These words make his spirit rise and now he has hopes that he can do something to change this world, to restore it to its former moral values.

Roads of Thunder

This song is separated in three movements:

  • Empowered: The Man now is talking with his friend (the Man's desperation now hints that it is a woman), and tired of this impersonal relation wants to hear his friend's physical voice on the phone, but the friend is hesitant. To convince them, the Man uses his former skills to create a computer virus and cause chaos in the world's banking system.
  • Virus: This is a short instrumental, possibly pointing to the fact that the Man is creating the virus, interspersed with samples from world financial news broadcasts describing the virus' effect on the world market.
  • Powerless: Once the virus is created, the Man reveals that he has always been a lonely man, and that he needs to talk with his friend by phone. At the end of the song, his phone rings.
Spoken Words

The Man reveals that he is deeply in love with the woman (portrayed by Laura Jaeger) - now so revealed - and doesn't want to abandon her. But she has something to say to him: she talks of treason, and she is scared because of the consequences that the virus' creation may have brought. Now the Man recognizes that he must run and hide, but he has nowhere to run.

His love reveals that she has also been alone, and that his dreams touched her life. She has the idea that they can "rendezvous somewhere far away" and hide away together. While she sends her coded location, she points that he may be being watched. Their conversation is interrupted by an unexpected message ("You have an online visitor in your chatroom.")

New World Order

The Man is suddenly faced by a government agent (portrayed by D.C. Cooper) explaining to him that he has been monitored and wiretapped all along, and that he is considered a "risk". This agent also explains in exhaustive detail of the New World Order created by U.S. corporations: they control the entire media and, with flawless brainwashing techniques on their side, can proceed to control the entire world.

The Man can't believe that he has been spied on the entire time, and that all the revelations he has discovered are in fact true. The song ends as NWO agents are sent out to apprehend him and knock on his door.


This is an instrumental track and, as its name points, the Man is being chased, so he is forced to flee.

Ghost of a Chance

Time has passed, and now the Man is somewhere in North Dakota, hiding from the government. He feels that he has failed and the world is lost; his only glimmer of hope is that justice will be served at the Last Judgment. The only thing the Man now wants is a safe home, and turns north to Alaska and safety.

Musical and lyrical references are made to the song Alaska from Carved in Stone in the second half of the song.

Christmas Day

Now in Alaska on Christmas, the Man misses his life before this all began, when he could truly celebrate Christmas as a joyful holiday. He yearns to spend Christmas Day with his love, now that he is all alone and on his own.


Gli Shadow Gallery sono un gruppo progressive metal originario della Pennsylvania (USA).

Gli Shadow Gallery si formano nel 1985 ed impiegano 7 anni prima di ottenere il loro primo contratto discografico con la Magna Carta. Il loro nome è stato ispirato dal romanzo a fumetti V for Vendetta di Alan Moore. La Shadow Gallery era nell'opera il rifugio segreto del protagonista.

La band non si è mai esibita dal vivo nei primi 15 anni della sua carriera, finché nell'estate del 2010 è stato annunciato un tour, che comprendeva una sola data negli Stati Uniti, mentre il resto dei concerti si sarebbe svolto in Europa. Tale tour è anche passato per Milano il 6 ottobre 2010.


Live 2013


Live 2010

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